Showing posts with label Wars of the Roses. Show all posts
Showing posts with label Wars of the Roses. Show all posts

Wednesday, 9 June 2021

Blood & Horse Droppings - WOTR Rules from Dr Robert Jones

My only as yet completed company, Warwick's for my planned WOTR collection

Last week in a chat with friends from the DWG, in one of our regular Zoom gatherings which have replaced in the recent lockdowns our regular pub gatherings following a monthly club meeting, a new set of Wars of the Roses wargame rules came up in conversation, written by Dr Rob Jones a medievalist historian based in Cardiff and whose name immediately rang a bell, having had the pleasure of listening to him present at Penarth Wargames Society's annual show, Crusade in 2017 and 2019, both of which I reported on here at JJ's and can be seen in the link below.

Rob Jones Presentations at Crusade 2017 & 2019

In addition to the name of the author, what further peaked my interest, was that his new rules were based on the rules I was planning my own collection around, 'A Coat of Steel' (ACOS) by The Perfect Captain which seemed to me to really capture a lot of the peculiarities of medieval warfare and the warfare of this particular era, if in a rather opaque manner, with its references to a lot of medieval nomenclature which provides some of that 'feel' but at times rather confuses the matter of simply being a set of wargame rules.

Warwick's boys get stuck-in in a Christmas game held at the DWG a few years ago

Anyway intrigued, I found my way to Dr Jones' web site and the page relating to his rule set, 'Blood and Horse Droppings' (BHD) and promptly got a copy of the rules, a set of 'Warre Dice Stickers' and some army lists for the period and sat down to read, compare and contrast with ACOS, see link below if you are interested.

Blood & Horse Droppings Rules


So in essence, Rob Jones has sieved out what I feel are the best aspects of ACOS, namely its rather unique method of combat resolution. which requires opposing commanders to select from a range of six distinct tactical options for their 'companies' that in the case of  BHD, when compared one to another and combined with the result of a six sided 'Warre Die' result, churns out a result of casualties, disorder and/or pushbacks that helps to capture the feel of the bloody scrum produced from men locked in close combat with two handed 'tin openers'.

I was slightly disappointed to see his dropping of the similar shooting options of choosing different ways to launch arrow attacks dependent on wind direction and the tactics of the target presenting themselves in an advantageous way or not in the approach to combat, but can see that his simplification of this process could well pay off in a cleaner and faster resolution to this aspect of the game.

Perfect Captain - A Coat of Steel
Perfect Captain - A Crown of Paper

However additionally BHD retains the use of the wonderful artwork and characteristics beautifully captured in ACOS's with its character cards and the use of Traits and Puissance ratings to show the tactical and aggressiveness ratings for the various captains together with their respective ranks, that is Royals, Barons and Knights.

Another key change is the organising of the various troop types (retinue, array, mercenaries, spears, mounted men at arms, scurrours, Irish and Gonnes) around a set sized (base footprint) unit incorporating figures to represent the different troops that would be grouped within a company, the basic unit; therefor a retinue company would feature a captain and his fully armoured men at arms, some other jacketed men at arms and a group of archers, liveried and locals, the number of which and the types used being simply to illustrate the look of the unit, perhaps with archers to the rear and men at arms to the front. 

Rob Jones made particular mention in his talks of how groups of men were raised during this period, which would include a mix of weapon specialists, and how they would fight together in 'their company', be that liveried retinues or commission of array, with a group loyalty to one another and the captain who raised and organised them, and he has reflected this in the rules, together with a very limited range of movement options also captured in his presentations.

Some Scurrours, painted for a friend at club, during lockdown (Vince - I'll bring them along for you next month)

I would thus take my current based groups of figures as seen in the pictures above and group eight such bases of infantry types, four to the front and four to the rear on a movement tray to represent such a company, and for my cavalry units, probably sticking to a single rather than double rank with a similar frontage as for the infantry. 

Different strength companies, under or over strength are represented by a casualty rating of 4, 5 or 6 indicating how many casualties can be absorbed before the company breaks and with the lower or higher number indicating an above or below strength average company.

The various hits taken by units in the form of casualties and 'Black Flag' disorder hits could probably be easily recorded using micro dice, small markers or on a roster, depending on your own taste.

By retaining the basic character parameters and troop types in ACOS it also should enable BHD to be played using 'A Crown of Paper' (ACOP), the stand alone campaign game from The Perfect Captain which is another compelling reason to check these rules out.

I plan soon to make a start of my big pile of Perry WOTR plastics and metals and I will continue with my ACOS basing system which will easily convert as illustrated into BHD units, a rule set I am keen to have a go with, seeing that they incorporate a lot of the ideas of medieval warfare that Rob Jones outlined in his very entertaining presentations.

More anon
JJ

Saturday, 27 February 2021

The Medieval Fighting Man: Costume and Equipment 800 to 1500 - Jens Hill and Jonas Freiberg


Some reference books end up becoming turn to ones whenever I'm getting stuck into a painting project, so much so that the book very often ends up perched somewhere close to my painting desk as a ready reference whilst working out the look and detail on a particular sculpt and the best colours to use to bring out the detail.

Last week I added to my collection of books that have started to fall very much into that select group of ready references, namely the Europa Militaria Specials series of Osprey sized paperback books covering the military dress of a particular era or theme as presented by some of the best re-enactment groups around.


The book in particular is 'The Medieval Fighting Man' which is currently on offer from the Naval and Military Press for just £2.99 which is a must buy price in my opinion and when I received it I had intended just to refer to it for this brief review but then I remembered the other books I have in this series that would deserve equal recommendation for the same reason and ones I have used regularly when painting up my collections of Saxons and Vikings and Romans.



The fact of the matter is that these groups of reenactors have made a large contribution to the archaeological evidence that supports how we portray these warriors from such a long time ago in that they have taken a lot of trouble to recreate their equipment and dress and then, when worn, have helped a lot in the understanding of how these warriors may well have worn the gear functionally; rather than simply based on educated guesswork and contemporary illustrations from artists who may never have fought in the gear they portrayed and were getting their information from those who had or had witnessed these warriors in action.


Needless to say this extra information adds to the way modern wargaming figures are now sculpted and the look we can create with our table-top armies, but these pictures of the way the reenactors carry the equipment and the look of it hanging on the body, not to mention the colour of the equipment and dress can really help those of us who want to capture that look in our figures.

My Romano-Dacian collection is about two thirds complete and I have finished my Saxon-Viking collection but may end up adding to it at some time and I have a very large collection of Perry 28mm Wars of the Roses to yet get started on and so these books will feature very much in my projects as they come under the brush.


The sample pictures included here in this post are taken from my latest addition and like the other two on the Romans and Vikings are lavishly full of colour photos like these which are invaluable to the figure painter.


The late medieval selection features these shots of the typical men at arms and poleaxe armed foot knight and there are similar illustrations covering the look of these men across the era from late Viking, the Crusades, and 13th, 14th and 15th century European armies from knights to the common soldier and armed citizen troops, with some great pictures of typical weaponry ideal for working out how to paint that particular crossbow mechanism or arrow shafts painted with a red oxide pigment mixed with linseed oil to protect them from the elements.

The Medieval Fighting Man is 96 pages and consists of the following sections:

Preface
Acknowledgements

Viking Warrior - 8th to 9th Centuries
Carolingian Landowner - Early 9th Century
Scandinavian Trader - 9th to 10th Century
Viking Warrior - Late 10th Century
Norman Miles - 11th to 12th Century
Infantry Serjant - Second Half of 12th Century
Knight Templar of the Third Crusade, 1190
Castellan Knight and Foot Soldier - 13th to 14th Century
Crossbowman - Mid 13th Century
The Longbowman - First Half of the 14th Century
Officer and Foot Soldier, 1485
The Armed Citizen, 1470 - 1500

Bibliography

Each section has text describing the times depicted by each warrior, with more information about their clothing, arms, equipment and their role on the battlefield.

There are some one-hundred and thirty full colour photographs of the re-enactors including full back and front figure portraits mixed with close ups of the gear and other equipment, intermixed with about a half-dozen full colour period examples of artwork that support the look of these men.


If you are the slightest bit interested in painting these early warriors then these books are a goldmine of reference information and if, like me, you have a rather large collection of late medieval types to get stuck into or you're working on those beautiful Footsore Miniature sculpts for the Barons War, then I would definitely recommend checking out the offer from Naval and Military Press in the link above or below.


Next up: More to come on JJ''s as I conclude the posts covering Steve and my fighting of Ardennes'44 with a dramatic battle to end our refight of the first three days of the campaign and work progresses in JJ's Dockyard as the next six ships are fitting out with sails and rigging.

Monday, 18 May 2020

Hobilars


Whilst awaiting reinforcements for the 1:700th Age of Sail naval project, I have embarked on some outstanding work that has been on the to-do list which saw my AWI collection getting some further attention and to follow, work promised on some medieval light cavalry for my mate Vince as part of a contribution to a game we had planned up at Chez Chas in June this year that now looks likely to be postponed.

However as evidence of another case of faith triumphing over experience and on the hope we might still get together to do our game in the not too distant future, and with my commitment to get these done outstanding, I sat down two weeks ago and put a dozen Perry Miniatures plastic late medieval light cavalry together.



The briefing for these chaps was to keep them fairly generic types as they will be playing the role of Turcopoles in our intended game but could easily turn out for one of our club WOTR games as well as lining up for an Italian Wars set to, hence no specific liveries or banners.



Perry's figures are a class above in terms of detail, design and horses that look like horses, and these plastics offer the usual flexibility to turn out very personalised miniatures that are a joy to paint.



I have three boxes of these of my own, as part of a massive Wars of the Roses collection I have still to get stuck into, and so messing about with these figures for Vince gave me a chance to see how they fit together and the combinations of weapons, helmets and other accouterments that make every unit individual.




It has been really fun getting back into some figure painting for a while and this excursion into medievals only added to that, so I hope you like them Vince and here's looking forward to seeing them in action on the table.




However I'm returning to the sea with a couple of models of a 38-gun frigate and 74-gun ship of the line, I'm doing for another mate, Bob, whose invested in a similar collection as my own, and these are intended to act as exemplars of the rigging set-ups for British and other nations ships.

Following that I may well be heading off to the dark ages, depending on whether the Spanish navy has turned up.

Wednesday, 4 December 2019

The Battle of Tewkesbury 1471 - A Guided Battlefield Walk

Battle of Tewkesbury by Graham Turner

I come from an age when being mildly criticised didn’t involve me running immediately to HR for emergency counselling and then taking six months off with stress so I am able to accept that sometimes people are right when they say that I don’t get around to doing things as rapidly as I should. You see, back in July 2017 when I attended the Tewkesbury Medieval Festival and then put a report about it on the blog I admit to saying that I would definitely go back later that year and do the full guided battlefield walk and then tell you all what it was like.

https://jjwargames.blogspot.com/2017/07/tewkesbury-medieval-festival-july-89th.html

Well here I am on a sunny Sunday Autumnal afternoon two years later wondering if I am at the right location as the heaving mass of history buffs are nowhere to be seen but then I spot what turns out to be Richard the guide who is patiently waiting at the entrance to the Abbey and once the word spreads around that I am in town we are shortly joined by four others.

Meeting up point for the Walk

For those of you so inclined you can follow this walk on Google maps using the satellite view. Find Tewkesbury Abbey and then go to the small car park at its eastern side; the starting point is the car park off Gander Lane under a very large tree at the entrance to the Abbey.

We set off down the road to one of the two small bridges that cross a stream called the Swilgate, this runs from the Avon (which very shortly joins with the Severn) then around the Abbey and off to the east, it will eventually form one of the boundaries to the battlefield. The Abbey is sited on a slight rise between the Avon and the Swilgate.

Of course nowadays the Swilgate is much less imposing than it would have been in medieval times but I hope that in the photo you will see later on which will show the second of the two bridges that cross it, you will get some indication of what it may have originally looked like along its length.

Now an apology, I realise that this blog has a reputation for bringing you bridge fanatics some of the hottest bridge pictures available but I forgot to take one of Gander Bridge but be assured its virtually identical to the Holme Bridge; these two small bridges would have been the only way into the town from this side at the time of the battle however I suspect they would have been quite a good deal more picturesque than their current drab modern day versions, one we were told even had a primitive drawbridge of sorts, I think it was this one but to be honest I have forgotten what Richard said.

Tewkesbury Abbey from the Vineyards

We walked down Gander Lane and entered the large green area known as The Vineyards, it was in this area in 1471 that Margaret’s exhausted army straggled into after their tiring march desperately trying to keep ahead of the pursuing Edward IV, the nobles of course would have started to have their tents pitched in the vineyards but the bulk of the troops who were mainly infantry would have kept arriving for many more hours to come.

“ The day was very hot, and both the Lancastrians and Edward's pursuing army were exhausted. The Lancastrians were forced to abandon some of their artillery, which was captured by Yorkist reinforcements following from Gloucester. 

At Tewkesbury the tired Lancastrians halted for the night. Most of their army were footmen and unable to continue further without rest, and even the mounted troops were weary.”

Edward stopped for the night about two to three miles to the south-west at Treddington, the Lancastrians realised that they would not be able to get their entire army into Tewkesbury over these two small bridges without Edward falling onto their rear so they had to stand and fight.

We walked up the field to a monument, set up in 1932 supposedly marking the site of the battle in the Vineyard fields , it also manages to incorrectly position Holme castle on the same site but apart from these two minor points, it is a nice monument even if totally useless in its purpose.




From there we walked up a small lane past the cemetery until we reached Abbots road, many of the houses around this area have large heraldic flags displayed which show the coats of arms of some of the participants of the battle, the householders pay a small fee to have them each year and there is a small plaque which gives some history of the relevant person. If you zoom into close up street mode then you can see some examples at the corner of Gloucester /Abbots road

Turning right onto Gloucester road we walked up until we reached the entrance to the few remaining empty fields where the battle took place, this area is known as the Gastons.

The Gaston Fields, looking towards Gupsill Manor and the Lancastrian centre

If you briefly zoom back out then you will see Gupsill Manor (Gobes Hall) marked on the map, this would have been the centre of the Lancastrian lines along with the old Iron Age earthworks now called ‘Margaret’s camp’ . The Earl of Devon’s forces making up the Lancastrian left wing would have run up to the returning arm of the Swilgate.

A handout from Richard showing the position of the battle and the two armies, PH is Gupsil Manor 
which is now a pub, OP is Margaret’s camp. I forget what GH marks.

The two fields we went into would have been the extreme left as we look at it on the map (or the Lancastrian right) and would have been where Somerset’s forces were deployed. They were positioned in the field behind the horizontal hedge, this hedge has been dated to the correct period so with a few minor changes that is what was there at the time.

Horizontal hedge still in its original location


“The main strength of the Lancastrians' position was provided by the ground in front, which was broken up by hedges, woods, embankments and "evil lanes". This was especially true on their right. A stream, the Colnbrook, flowed through his position, making some of the ground difficult to traverse.

Although much reduced the Colnbrook still runs along the ‘Yorkist’ side of the hedge and this was the main thing I took away from this battlefield walk, even after all these years, I wouldn’t want to have tried to fight my way over that hedge line.

The Colnbrook stream running along the horizontal hedge on the Yorkist side

Looking over the hedge to the south, Richard pointed out the raised area where the Yorkists left wing would have deployed.

After enduring both arrow and cannon fire, Somerset eventually moved over the hedges and attacked.

The building you can see is Gupsill manor, from Lincoln Green lane

“The Lancastrians attempted to return the fire, but their artillery was inferior to the Yorkists’ and cannon had been lost to a raiding party led by the Yorkist governor of the Gloucester garrison as the Lancastrian army straggled away from the city. Somerset resolved to escape from the Yorkist barrage by launching a flank attack on Gloucester’s division.”

The Dear park from Lincoln Green Lane

We then walked the short distance into Lincoln Green Lane , bordering this lane is the Deer park (now Tewkesbury Park) where Edward had earlier stationed 200 mounted Spearmen. These troops charged into Somerset’s flank and rear whilst he was heavily engaged with Gloucester, his battle collapsed and fled the field, shortly followed by the rest of the army.


Walking down Lincoln Green Lane and looking back on Google maps you can clearly see a long enclosed field , this and the more famous Bloody Meadow across the road is an old Drovers field called a Slinget and is in fact one long field not two. This was an area just outside of a town when upon their arrival the various herds of animals would be kept.  The sides would be banked and there would be limited access , it didn’t help that on the other side was the deer park which was also designed to stop animals getting out. This then was probably not the best place to run away into.

Bloody Meadow, Richard the guide on the far right, note the banking on both sides

 Bloody Meadow part 2

“Somerset's battle was routed, and his surviving troops tried to escape across the Severn. Most were cut down as they fled. The long meadow astride the Colnbrook leading down to the river is known to this day as "Bloody Meadow"

Battlefield trail plaque at the entrance to the 2nd field

The old sign pre technology

We turned right following Lincoln Green Lane and into Bloody Meadow until we came to a gate which lead into what Google maps says is YMCA playing field. At the end of this near the buildings is where Holme castle would have been, the ground is raised here but whatever was there, probably a medieval manor house had already disappeared by the time of the battle however it was mentioned by the guide that a windmill was more than likely here and was supposedly where Margaret watched the battle, hope she had good eyesight. More thoughts on Holme castle in the link

http://www.gatehouse-gazetteer.info/English%20sites/1244.html

Now the UK scheduled monuments records show Holme castle in the Vineyards, I have no idea which is right so make of it what you will, Holme Bridge which we are just about to arrive at is near the windmill site.

Another view of the Deer park from Holme Castle

Whilst standing next to the display board at Holme Castle/Windmill hill, which I conveniently forgot to photograph, Richard expanded on the story about Lord Wenlock. In any battle report you read, Somerset is supposed to have ridden up to Wenlock who was commanding the centre and killed him.

“Somerset galloped up to Wenlock, commanding the centre, and demanded to know why Wenlock had failed to support him. According to legend he did not wait for an answer but dashed out Wenlock's brains with a battleaxe before seeking sanctuary in the Abbey." 

Richard went on to account several conflicting reports that took place many years later involving the redeeming of Wenlock’s treasure and other odd happenings suggesting that he may have possibly survived . I even found a pamphlet on the subject on Amazon but it is suspiciously not available.

https://www.amazon.co.uk/Tewkesbury-Occasional-publication-Worcestershire-Archaeological/dp/B0184X0Z8G

We than cut through the woods and joined Lower Lode Lane, walking up it until we rejoined Gloucester Road. Here is Holme Bridge which crosses the Swilgate and was the other way into Tewkesbury, hopefully you will get a better idea of what sort of barrier the Swilgate may have been in earlier times from my photo. Next it was up through the car park heading for Victoria gardens and Tewkesbury Mill.

 The Swilgate at Holme Bridge, the sides are much steeper here


As promised, looking back at Holme Bridge, we came from the right entrance where the signposts are

“As its morale collapsed, the rest of the Lancastrian army tried to flee, but the Swilgate became a deadly barrier. Many who succeeded in crossing it converged on a mill south of the town of Tewkesbury and a weir in the town itself, where there were crossings over the Avon. Here, too, many drowned or were killed by their pursuers.”

However we didn’t go to the mill and weir , instead it was round the corner back towards the abbey. Back outside the abbey again, we stopped to allow Richard to sum up all that happened after the battle, the Lancastrian nobles and knights who sought sanctuary inside (not that it did them any good), Margaret’s capture a few days later and then her life in France afterwards and finally he went over who was buried in the various tombs in the Abbey. Unfortunately there was a religious service taking place at the time so we got a map instead.

Tewkesbury abbey burials supplied by Richard the guide

The whole tour took around two hours (not helped by some idiot asking lots of questions) and was completely free of charge although voluntary contributions to the Tewkesbury battlefield society were graciously accepted.

An excellent afternoon well spent and Richard was a brilliant guide , he does this every month purely as a volunteer . I have linked their walk schedule below.

http://tewkesbury.org.uk/events-walks/

Much of this account is what I recall from the guide’s explanation and from the display boards around the route, the quotes are mainly from Wikipedia.

This has been a day out with Mr Steve.

Wednesday, 5 June 2019

Offa's Dyke Walk - Part Two (Battles of Shrewsbury 1403 & Mortimer's Cross 1461)

A reconstruction of the armour worn by Sir Nicholas Longford, who was knighted by King Henry IV 
on the morning of the battle of Shrewsbury and who was killed later in the fighting

The Battle of Shrewsbury, 21st July 1403

Following our day out exploring Offa's Dyke and the local area and a very pleasant stay in Shrewsbury we decided to get a good start to the next day to enable us to see as much as possible before beginning our journey home.

Our second day would focus very much on the medieval history of this area of the Marches with Shrewsbury very much at the centre of that history being the start point of two very different but similar campaigns for two of England's greatest warrior Princes and later Kings.

My first introduction to the Battle of Shrewsbury was as a sixteen year old school boy reading Henry IV Part One as part of my O' Level English Literature studies. I vividly remember trying to imagine the look of Harry Hotspur, Prince Hal and Sir John Falstaff as they made their way to the climax of the story, the battle of Shrewsbury; the inevitable conclusion of the tension in Henry Bolingbroke's, now King Henry IV's troubled court following the coup that brought him to power in place of the weak King Richard II who conveniently died in prison.

The battlefield of Shrewsbury in relation to the town can be seen here, with the field of battle just below and to the left of 'Upper Battlefield' top right.

Thus with school boy memories flooding back, Steve and I set out to explore the battlefield that lies close to the north-east corner of the town close to the modern day ring-road.

This was not Steve's first visit to Shrewsbury or its first appearance on JJ's Wargames, as Steve did a post about his visit back in 2016, including his visit to the Resource Centre and Farm Shop indicated in the satellite view of the battlefield below by the yellow pin.

https://jjwargames.blogspot.com/2016/08/didnt-we-have-lovely-day-day-i-went-to.html

An overview of the Shrewsbury battlefield with my tentative positions for the various forces, and possible numbers involved, with our path around the field marked in white arrows, starting at the car park.

I should say right up front that as with most descriptions of medieval battle sights, the positions of the various forces, their numbers and who did what to who at any particular time is very often open to debate and still a subject of much of it, given the limited resources available to more detailed archaeological research into these sites and the limited often unreliable primary sources.

So with those caveats out of the way, I have turned to the Battlefields Trust as a major source of guidance for the various explanations about these battle sites and have selected the versions that seem most plausible to me, or as good as any other, having now walked the supposed terrain. 


In addition Steve brought along his copy of the Osprey title covering the Battle of Shrewesbury with Graham Turner's superb artwork helping to bring the events to life. Whilst I turned to Hugh Bicheno's two books covering the battles and events of the Wars of the Roses when looking at Mortimer's Cross.

The view from the car park area and the Royal lines, with the church making a perfect land mark (centre right) indicating the left flank of the rebel line possibly held by the Earl Douglas

A simple summary of the battle fought on the 21st July 1403 sees an embattled King Henry IV working hard to establish his right to rule now under pressure from one of his biggest backers, the powerful Percy family who having bankrolled his bid for power were now calling for that investment to be repaid, but at a time when Henry's coffers were empty.

The star of the Percy clan was the young son of the 1st Earl of Northumberland, Sir Henry 'Hotspur' Percy who had been successfully enforcing Lancastrian rule around the country, with two successful campaigns concluded in Wales against the rebellious Owain Glyndwr in 1401 and 1402 and just recently the defeat of the Scots at Homildon Hill and the capture of Scottish nobles including George, Earl Douglas.

The latter battle only added to the strife between the King and the Percy's with the former insisting on keeping the prisoners rather than allowing the Percy's to sell them back for the expected ransom.

Enclosures and the resultant hedgerows have altered the look of what would have been a more open battlefield perfect for the lines of archers on both sides, as the Royal line advanced across the fields seen here.

The result of all this tension saw Hotspur at the head of a rebellion looking to gather in his former adversaries, Douglas and Glyndwr heading towards Shrewsbury and the Welsh Marches where he hoped to rally his supporters in such numbers as to overwhelm any force Henry could hope to muster.

For Henry, it was a race to put his army between Hotspur and the Welsh rebels under Glyndwr and hope to beat the former before the two rebel forces could join together.

The focal point for this race to the Marcher lands was Shrewsbury held at the time by a Royalist garrison under the command of the king's son and heir, Prince Hal, later to become King Henry V, victor of Agincourt, twelve years in the future.

Now very close to the Rebel line with the church tower looming over the intervening trees and where the two lines now battered after the exchange of arrows prepared to close in hand to hand combat

The winner of the race to Shrewsbury was the King who had managed to put his army in between Hotspur and the Welsh border forcing the rebel commander to pull back from the town and find a suitable ground to offer battle, with his enthusiastic if less experienced troops.

The ground chosen found the rebel army atop a slight ridge offering great sight lines for perhaps his most potent force, the Cheshire archers, some of the best bowmen in England and who, following the breakdown in pre-battle negotiations, took a terrible toll on the Royal lines as the king's army closed.

A view of the ridge line held by Hotspur's rebel army across ground on the rebel right flank still open to view as it would have been at the time.

Some accounts suggest that this accurate archery led to the collapse of the Royalist battle under Edmund, Earl of Stafford, possibly acting as a vanguard in the Royalist advance.

http://www.battlefieldsofbritain.co.uk/battle_shrewsbury_1403.html

The advantage this seemed to offer Percy's rebel army probably explains the rebel attack following up the no doubt confusion in the Royal lines with Hotspur and Douglas pressing hard to get at the king himself and look to end the battle there and then with his death.

St Mary Magdalene's Church occupies the site of the chapel established on the saint's day in 1406 to commemorate the battle and for saying prayers for the souls of the fallen soldiers many of whom are thought to lie close by in mass burial pits.

However the king's supporters closed around their monarch and fended off the assault, holding their ground while Prince Henry started to assert his presence on the rebel right flank by driving in on the rebel line.

At some time during the fighting both Prince Henry and Hotspur took arrows to the face, proving fatal in the case of the latter and leading in turn to the collapse of the rebel line and their pursuit for three miles by the victorious royal army.

The original chapel was converted into a college of chaplains in 1410 and these are the remains of the fishponds created close by to provide the college with fish for the kitchens. In 1548 the college was closed reverting to a Parish Church

As with the actual numbers of men who fought the battle, the numbers that were killed is probably speculative, but one account suggests possibly up to 5,000 men were killed and wounded:

"There fell on the king's side ten knights, many squires, more yeomen, and three thousand were gravely wounded. On the rebel side fell most knights and squires of the County of Chester, to number 200 beyond gentlemen and footmen whose number we do not know."


Blood red, Flanders poppies make a suitable backdrop to any battlefield and these were in full bloom on the edge of Shrewsbury

Close to the site of the battle lies the Battlefield 1403 exhibition site and Farm Shop which is free to look around and has some great exhibits that really help to bring to life the background to the battle, the look of the soldiers and the weapons they were using

https://www.battlefield1403.com/







There are two full size manikins on view illustrating the look of the knights and the more common archers who would have stood in the lines of both armies that day


The knight depicts the appearance Sir Nicholas Longford, knighted by King Henry IV on the day of the battle.

His harness depicts the late stage of transition from mail to plate armour, still using an aventil (camail) which is attached to his helmet and a mail shirt, but displays the inclusion of plate armour for improved protection.

His helmet (bascinet) is fitted with a 'pig faced' visor which was supposed to protect the face of the wearer from cuts and stabs, not to mention arrow strikes, something, Hal and Hotspur seemed to have forgotten.


The harness is completed with a solid breast plate underneath a short surcoat or jupon which bears his coat of arms (paly of 6 or and gules a bend argent) and a knightly girdle of metal plaques at the hip.

The shoulders are protected by overlapping plates (pauldrons) and his arms by a vambrace (upper and lower) and his elbows with winged counters.

He wears the advanced design of gauntlets, with over lapping plates on his fingers.


His legs are protected by cuisses on the the thighs and greaves on the shins, with an attached poleyene protecting the knees.

On his feet are overlapping plates (sabaton) covering his shoes onto which is strapped the rowel type spur.

Over his shoulder Sir Nicholas carries a heater shield that will be soon made redundant by the advances in armour design.

At his hip he carries a sharp tapered sword and also a rondel typed dagger and he would have also carried a pole arm, such as a pole axe or glave.


The archer illustrated below is fairly typical for the period with a modicum of protection with his open faced helmet, padded jack, greaves and buckler shield.

His principle weapon is the longbow with which he and his fellow archers would have wreaked havoc on the opposing lines of foot soldiers and which came to dominate the battlefields of the period.

It was back in 2017 that I posted about a visit to the Mary Rose in Portsmouth (see the link below), where among the artifacts recovered from the great ship are stacks of long bows many still in their packing cases and the skeleton of one of the archers who displays in his bones the inevitable changes to the body that occur with practice at shooting this weapon.

https://jjwargames.blogspot.com/2017/04/portsmouth-2017-mary-rose.html

The skeleton shows a very powerful man with a very developed upper body capable of stepping into and drawing this very powerful bow and more than capable of getting stuck in to a melee situation when required, very different from the tailors dummy in the picture below.

A slightly 'camp' looking archer, but I am sure you get the idea of how these troops appeared on the day

The various types of arrows are displayed below ranging from the short crossbow bolt on the left to the armour piercing bodkin shafts on the right.


Hotspur is reported in some accounts to have been killed instantly by an arrow to the eye, but Prince Hal was hit below the right eye, requiring the king's surgeon to rig up a device to insert around the arrow head and open the wound up to allow the arrow to be extracted without the barbs causing further damage during the extraction - all this without the relief of any pain controlling medication!


King Henry V pictured in profile, which given the unsightly scar he was left with under his right eye
after Shrewsbury explains that this was really his best side!

Prince Henry survived Shrewsbury but his face would carry a reminder of that day with his arrow wound leaving his face badly scarred on one side, likely explaining his side on portrait and giving the later King Henry V the look of a battle scarred veteran rather than the way he has been portrayed in film versions of Shakespeare's great play.

Cry God, for Harry, England and Saint George! - King Henry V as portrayed by Sir Laurence Olivier in the 1944 film version of the play, although I think I prefer Kenneth Branagh's version from 1989.

The battle broke the challenge of the Percy family and consolidated the House of Lancaster in the form of Henry IV as the anointed King of England, but that hold would prove to be tenuous as the greater struggle to maintain and hold on to territory in France and another weak king in the form of Henry the VI, Henry IV's grandson, would cause the whole charade to unravel into the Cousins War or Wars of the Roses.

The Percy coat of arms

As well as the Percy family, other coats of arms of other noble houses were on display at the centre and it was gratifying to note that the Devon Wargames Group is blessed with its fair share of nobility among the lesser yeomanry of the club!

Devon Wargames Group nobility


Battle of Mortimer's Cross,  2nd February 1461
As mentioned in my preamble to the Battle of Shrewsbury its comparison with the Mortimer's Cross campaign is different and similar and the seeds of the latter lie sown in the former in that Henry Bolingbroke usurped the crown from Richard II and seemingly legitimised the later attempts by the House of York to similarly usurp Henry VI by the precedent the former created.

Like Prince Hal, the eighteen year old Edward Earl of March started his campaign from Shrewsbury in the January of 1461 when he learnt of the death of his father at the Battle of Wakefield on 30th December 1460, leaving him as the new Duke of York and potential heir to the throne.

The roads leading from Shrewsbury via Ludlow to Mortimer's Cross (red marker) along which Mr Steve and I travelled enjoying a perfect pub lunch along the way.

The Marches were well known to Edward, spending much of his teens at Ludlow and in the care of other Yorkist Marcher manors, whist his father was away dealing with the power struggle at court.

He was likely to have gained much from this experience getting a schooling in the more practical military matters of policing the Marches rather than the tournament skills based upbringing in a court-orientated household.

Not only that, but the Marcher Lords considered him as one of their own, and they would be by his side in this his first independent command, men such as Herbert of Raglan, the younger Walter Devereux of Weobley and Roger Vaughan of Tretower and Crickhowell.

Satellite view of one of the presumed battlefields, with one interpretation of the two armies and their upper and lower estimated strengths 

During the winter of 1460 and following the victory of Queen Margaret's northern Lancastrian army at Wakefield, the Lancastrians in Wales under the leadership of Jasper Tudor sought to raise an army to march in support of Margaret as she headed south towards London, looking to secure the release of her husband Henry VI and his restoration to the throne

Tudor gathered his forces at Pembroke Castle in South Wales being reinforced by Irish, French and Breton troops from France under James Butler the Earl of Wiltshire who landed at Milford Haven close by. As with the mercenary troops that accompanied Margaret's army, unless they were well supplied they were prone to marauding the local countryside offending friends and foes alike and with Wales in a poor condition to provision an army in mid-winter Jasper felt compelled to march.

"Dazzle mine eyes, or do I see three suns?" The parhelion was observed by Edward's army on the morning of the 2nd February as the sun's rays reflected off early morning ice crystals in the air producing the visual effect of three suns. Edward made the best of it, choosing to interpret it as a sign of good fortune from the holy Trinity and adopting the sun motif as one of his badges.

Edward positioned himself at Gloucester, putting his army in a good position to keep a watch on the South West Lancastrians as well as those gathering in Wales and was kept well informed by local retainers of Tudor's march, north of the Brecon Beacons in late January 1461, thus enabling him to intercept them at Mortimer's Cross.

My pictures of the area are very much based on the interpretation of the battle as shown in the satellite view above.

Of course this could be entirely wrong as the sources for this battle are scanty indeed and perhaps with all the attention on the threat to London posed by Margaret's northern Lancastrian army the chroniclers of the time can be forgiven for giving Mortimer's Cross little attention.

The flag of York flutters proudly at the Blue Mantle Cottages, at the junction of the A4110 and the old Roman road, Hereford Lane, thought to be the centre of the Yorkist line at Mortimer's Cross. 

Aptly growing, an oak tree overhangs the view towards the high ground on the Yorkist right where perhaps Yorkist cavalry were placed in ambush. Close to this site once grew the mighty 'Battle Oak' said to have marked the centre of the battlefield.

Apparently the only source of any tactical information for the battle comes from two stanzas from Micheal Drayton's epic poem, 'The Miseries of Queen Margaret' published in 1627, which is not really much to go on!

Again, looking to the right-rear of the Yorkist Line, where March's battle is shown on the map above, the high-ground continues around and to the rear of the Yorkist position.

To quote the poem;

"The Earl of Ormond, an associate then
With this young Tudor, for the king that stood,
Came in the vanguard with his Irish men,
With darts and skains; those of the British (Welsh) blood
With shafts and gleaves them seconding again,
And as they fall, still make their paces good:
That it amaz'd the Marchers, to behold
Men so ill-armed upon their bows so bold.

Now the Welch and the Irish so their weapons wield,
As tho' themselves the conq'rors meant to call;
Then are the Marchers masters of the field,
With their brown bills the Welchmen so they maul;
Now th' one, now th' other, likely were to yield;
These likely to fly, then those were like to fall:
Until at length (as Fortune pleas'd to guide)
The conquest turned upon the Yorkists' side.

The darts describe the throwing spears and the 'skains' or scians, the long dirks carried by the Irish gallowglasses (gallo'glaigh). These mercenary heavy infantry wore mail coats over padded jackets and fought with two handed axes and large 'Claymore' style swords.

Looking out towards the River Lugg from the centre of the Yorkist line from the side of the A4110 

From the poems description, Ormonde's gallowglasses were the Lancastrian shock troops alongside the Welsh billmen, but seemed to have been poorly equipped to stand up to the arrow storm delivered by the Yorkist archers - "Men so ill-armed upon their bows so bold."


Looking to the rear of the Yorkist line towards Mortimer's Cross

As shown in the map view above it is possible that Herbert may have placed mounted light cavalry or hobilars in a re-entrant as seen in the pictures of the high ground to the left of the Yorkist line, but this would have only added slightly to the carnage of what would seem to have been a one-sided battle.


Looking along the A4110 towards the Lancastrian line and the River Lugg to the left of picture 

No notable Yorkists were killed and it seems likely that the Lancastian left under Ormonde and Wiltshire collapsed first and that in the retreat Owen Tudor made a last stand near the village of Kingsland on the modern A4110 to cover the retreat of his son and the rest of the army that was not pursued by Edward.

However he and other Lancastrian knights captured in the battle were shown no mercy after the death of Edward's father and younger brother at Wakefield, being taken back to Hereford and beheaded.

Looking out over the fields from the Lancastrian left flank where Wlitshire's battle is shown

In the wake of Mortimer's Cross, Queen Margaret and her army would find the gates to London barred to her and despite beating the Earl of Warwick at the Second Battle of St Albans on the 17th February 1461, and recovering her husband, Henry VI who had been held captive by him, she was forced to fall back into the north after the news of Mortimers Cross and a growing resurgence of Yorkist forces.

Edward would join with Warwick and enter London on the 2nd March 1461, where he was crowned King Edward IV before heading north in pursuit of Queen Margaret and their eventual show down at Towton, a battle I covered in 2017.

https://jjwargames.blogspot.com/2017/07/battle-of-towton-29th-march-1461.html

Looking out towards the River Lugg from the Lancastrian centre and right flank

Thank you to Mr Steve for a thoroughly enjoyable two days exploring the Welsh border and that concludes another historic walk with thoughts now turning to other parts of the country to explore in future trips.

However lots of things to come here on JJ's with Roman Legionaries and General Officers painted and based to show you, plus I am off to the Iberian Peninsula this month for an exciting three weeks exploring battlefields and am really looking forward to bringing details of our trip here on the blog.

More anon